Resolution for the Royalist (Bar 5, Moonlight Sonata).

Well here we are at the conclusion of this little exercise – the opening bars of Beethoven’s Moonlight Sonata, posted here to test the efficacy of the SOKOZY piano playing method (the notes of any particular tune portrayed in chronological sequence directly onto the piano keyboard. ) In this way, there is an immediate appreciation of the tune,

Beethoven's Moonlight Sonata, Bar no. 5.
Beethoven’s Moonlight Sonata, Bar no. 5.

The triplet movement of the opening four bars is resolved here by the tune homing in to the C sharp minor chord, 111, 123, the three ‘1’s on the far left being played with the little finger, index finger and thumb of the left hand, joined by the  ‘1’ furthest right, played with the thumb of the right hand. I  think that if anyone can sit at a piano and play these five bars then one is likely to draw a small crowd in the expectancy of a full rendition of the tune. That’s when you get up from the stool and say you are in a terrible hurry and you need to be on your way.  That is exactly what I did yesterday on a public piano at Herne Hill Railway Station, South London , though I did offer a jazzy version of “Blue Moon” before catching my train.

The Royalist has earlier mentioned the velocity of striking the notes, finding the left hand notes more dominant.  It is possible that effect is brought about simply by the left hand playing in octaves (the top and bottom notes of the scale).  But “touch” is indeed the most important part of a pianist’s box of tricks. On a decent piano a sensitive touch can be likened to gently pressing a grape – ha ha I’ve only  put that bit in for Janus!

I do hope those of you who have attempted to play this exercise have had some sense of accomplishment as well as enjoyment!

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Moonlight Sonata – Bars 2 to 4.

Well I seem to have garnered a little interest here from cherished Charioteers and so I shall continue to demonstrate the SOKOZY piano playing method, allowing the Royalist to progress towards some musical resolution which comes in Bar no. 5 which I will post tomorrow.  (And that is where this present exercise will end unless of course further bars are requested or somebody commissions me to transcribe a favourite song.)

Bar number two is almost identical to bar 1, save the left hand (little finger and thumb) play two different notes from those notes played in bar no.1 see yesterdays post). Otherwise the principle is the same.  Remember to hold down the two left hand ‘1’s for the duration of the 123, 456, 789,10,11,12 sequence played in the right hand, as this gives pleasing harmonic resonance to the right hand part. (Are you listening, the Royalist and no metallic effects please.)

Beethoven's Moonlight Sonata - Bar no. 2
Beethoven’s Moonlight Sonata – Bar no. 2

Bar 3 develops the theme with more movement and shape in the right hand. Shortsighted viewers will need to focus well.

Continue reading “Moonlight Sonata – Bars 2 to 4.”

Sokozy – NOT Suzuki

Following a request by the Royalist I am giving you all an opportunity to learn the opening few bars of Beethoven’s Moonlight Sonata through the revolutionary new piano playing method called ‘Sokozy’.  It is in fact so cosy that you only have to read (or memorise) the number sequence directly shown on the piano keys. (No more “lines and spaces” and no more squiggles and hieroglyphics.) The Moonlight Sonata is basically quite easy to transcribe in this way – for the most part the right hand is played by depressing single notes in triplet rotation.  For basic instruction see below.

Beethoven's Moonlight Sonata -Barno. 1
Beethoven’s Moonlight Sonata – Bar no. 1

OK music lovers, here we go. Are you sitting comfortably?  The two ‘1’s on the left are played together with the left hand, using your  little finger and thumb. At the same time  as pressing the  two ‘1’ s on the left, you should depress the ‘1’ on the right with the thumb of your right hand.  After that you just continue pressing the number sequence 2 & 3, 4,5, & 6, 7, 8 & 9 and 10, 11, 12  (This triplet sequence in the right hand – 123, 456 etc – is best played using thumb, index finger and middle or 4th finger.)  It sounds a bit complicated in words but its dead easy just looking at the number sequence in the picture and just striking the numbers in ascending order. Easy Peasy Lemon Squeezy. Continue reading “Sokozy – NOT Suzuki”

Moving at last

I know I have been slightly conspicuous by my absence from cyber-space for a while, but I have been busy.

Daughter No.1 is to be married on 28th September, and we are moving house in early October. We are relocating to Dorset which was our intention about five years ago. If the telephone and broadband transfer goes smoothly, we shall be back on line on the 9th.

If nothing else we have made headway with clearing out heaps of rubbish and general unwanted clutter which we found in the attic, shed and cupboards. This has all been given away, recycled or consigned to landfill, and it’s taken an age.

Poor fare at the Proms

Now that I’ve managed to calm myself down it’s time to talk about my disappointment at Saturday’s Last Night at the Proms. From the off let’s get it straight I am no classical aficionado I’m only here for the flag waving and sing-songs. When I hear classical music I automatically think of Tom and Jerry and the high jinks they’d be up to. Therefore, I only tune in when the patriotic party stuff starts. Unfortunately, it didn’t live up to previous occasions. Continue reading “Poor fare at the Proms”

“You don’t put a bumper sticker on a Mercedes-Benz”

Imagine waking up to that on a Sunday morning.

First things first. Let’s talk Megadeth.

Megadeth front man Dave Mustaine strides through the world of Heavy Metal like a God. “(Metal music) is about doing something no one else does,” Mustaine said. Musty has no tattoos. And that’s totally metal. The title of this blog is the reply he gave to an interviewer when asked why he hasn’t been inked. Consider this viewpoint when looking at the illustrated body of the dimpled-cheeked, old banger of a Northern lass, Cheryl Cole.

Using Cheryl’s bum as the flimsiest excuse to bring metal to the Chariot masses, press the more button if you want to hear a Megadeth video. Go on, you know you want to. Continue reading ““You don’t put a bumper sticker on a Mercedes-Benz””

Return of proper scrums

I don’t suppose this will mean much to the followers of the round ball game, or even followers of Rugby League, but in this new season, the Rugby Union laws on scrummaging have changed, basically back to what they were when I was still playing.

I will not go into technical details, but it is great to see props propping again instead of collapsing in a heap every other scrum, hookers hooking the ball again and the ball being put into the scrum straight, and not right into the back row. The only thing still a bit silly is that the ref has to tell the scrum half when to put the ball in. When I were a lad, this was normally done by the hooker and scrum half devising a set of hand (or at least finger) signals to indicate the most advantageous time to put the ball in. There are still many opportunities for skullduggery in the dark depths of the front row, but it is, as it was, more difficult for refs to spot, unless, like one of my mates, who was an ex hooker, whenever he reffed me, he blew the whistle even on the odd occasion when I was not indulging in naughtiness.

Anyway, the first weekend  of the English Rugby Premiership has provided four exciting games so far, with one to come tomorrow. I look forward to the new season.

Overrated: Fountains

Decorative fountains are one of those things that nobody can walk past without looking at or commenting on favourably. “Spectacular” “Lovely” “Beautiful” “Majestic” jabba, jabba, jabba. When you get to the Davy Jones’s Locker of it you’ll find it’s only a fancy water display. A waste of space, a waste of time and a waste of water. Don’t give me the recycle argument. There must be spillage and water will be seeping away, no matter how much you try to dam it. Continue reading “Overrated: Fountains”