Poetry Competition – ‘A Musical Turn’

lg-Church-Bell

Cherished colleagues I invite you to submit entries for the August poetry competition on the subject heading “A Musical Turn”.  This may relate to a dance, a musical instrument,  a phrase in a song, even an unusual musical chord (go on Jason you can make one up).  You can even write a song which I may put to music.

I realise that this subject may fall on deaf ears but anything on “sound” or ” noise” will be accepted. Please use your imagination but I have to say that musicality will win bonus points. Closing date 31 August – midnight GMT.

Ding-dong.

Moonlight Sonata – Bars 2 to 4.

Well I seem to have garnered a little interest here from cherished Charioteers and so I shall continue to demonstrate the SOKOZY piano playing method, allowing the Royalist to progress towards some musical resolution which comes in Bar no. 5 which I will post tomorrow.  (And that is where this present exercise will end unless of course further bars are requested or somebody commissions me to transcribe a favourite song.)

Bar number two is almost identical to bar 1, save the left hand (little finger and thumb) play two different notes from those notes played in bar no.1 see yesterdays post). Otherwise the principle is the same.  Remember to hold down the two left hand ‘1’s for the duration of the 123, 456, 789,10,11,12 sequence played in the right hand, as this gives pleasing harmonic resonance to the right hand part. (Are you listening, the Royalist and no metallic effects please.)

Beethoven's Moonlight Sonata - Bar no. 2
Beethoven’s Moonlight Sonata – Bar no. 2

Bar 3 develops the theme with more movement and shape in the right hand. Shortsighted viewers will need to focus well.

Continue reading “Moonlight Sonata – Bars 2 to 4.”

Sokozy – NOT Suzuki

Following a request by the Royalist I am giving you all an opportunity to learn the opening few bars of Beethoven’s Moonlight Sonata through the revolutionary new piano playing method called ‘Sokozy’.  It is in fact so cosy that you only have to read (or memorise) the number sequence directly shown on the piano keys. (No more “lines and spaces” and no more squiggles and hieroglyphics.) The Moonlight Sonata is basically quite easy to transcribe in this way – for the most part the right hand is played by depressing single notes in triplet rotation.  For basic instruction see below.

Beethoven's Moonlight Sonata -Barno. 1
Beethoven’s Moonlight Sonata – Bar no. 1

OK music lovers, here we go. Are you sitting comfortably?  The two ‘1’s on the left are played together with the left hand, using your  little finger and thumb. At the same time  as pressing the  two ‘1’ s on the left, you should depress the ‘1’ on the right with the thumb of your right hand.  After that you just continue pressing the number sequence 2 & 3, 4,5, & 6, 7, 8 & 9 and 10, 11, 12  (This triplet sequence in the right hand – 123, 456 etc – is best played using thumb, index finger and middle or 4th finger.)  It sounds a bit complicated in words but its dead easy just looking at the number sequence in the picture and just striking the numbers in ascending order. Easy Peasy Lemon Squeezy. Continue reading “Sokozy – NOT Suzuki”

Papa’s got a brand new bag, Part 2

Having got the nice new Chromebook I told you about earlier for Christmas, I decided to treat myself a bit. It has been a long time since I owned or played an electric guitar, so I thought I would have another go. This is what I got to practice on…..
Continue reading “Papa’s got a brand new bag, Part 2”