Despite delivering a cavalcade of superb fictional novels (Money, The Information, London Fields) the great Martin Amis has never won the Booker prize. His latest offering, Lionel Asbo, will probably not appeal to this year’s judging panel either. This doesn’t make it a bad book.
A constant criticism of Amis is that he can’t write good stories. Jealously, critics barb that stylistic writing and fancy metaphors can’t hide weak plots. Maybe, they ask for too much. When every paragraph is peppered with a variegation of exotic gems, the storyline does sometimes need to take a breather. Continue reading “Latest Amis”